![](https://i.guim.co.uk/img/media/04d0b298d70b1011f84c6a3bb325854735de16f3/0_317_8445_5066/master/8445.jpg?width=1200&height=630&quality=85&auto=format&fit=crop&overlay-align=bottom%2Cleft&overlay-width=100p&overlay-base64=L2ltZy9zdGF0aWMvb3ZlcmxheXMvdG8tcmV2aWV3LTQucG5n&enable=upscale&s=7c9610e8e5f620d1bf92218a54804966)
A
John Francis Flynn, a well-known singer in the traditional music scene of Dublin’s pubs, gained widespread praise for his debut album, I Would Not Live Always, which was released in 2021. The album’s unique blend of elements such as guitar, fiddle, synth, and tape loops, gave a fresh twist to old ballads and showcased Flynn’s powerful vocals. For his second album, Flynn once again collaborated with producer Brendan Jenkinson, resulting in a fearless exploration of boundaries. The tracks feature a mix of growling guitars, haunting drones, and distorted electronica, with familiar songs like Within a Mile of Dublin taking on a new industrial sound with the addition of penny whistle. Even older songs like Mole in the Ground, recorded in the 1920s and later covered by Bob Dylan, are given a gritty makeover.
Kitty, who is most famous for being part of the Pogues, remains calm and tranquil. Meanwhile, Willie Crotty, a story from the 18th century about a Waterford criminal, is overwhelmed by a chaotic barrage of noise. Two songs by Ewan MacColl receive a more straightforward approach and stand out as the strongest. The Lag Song beautifully captures the intense feeling of time passing in prison, while Dirty Old Town defies its well-known status with a delicate, romantic singing style and subtle brass accompaniment. This album is unpredictable but has an impressively bold vision.
Source: theguardian.com