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The novel “The Eight Mountains” ranks at number 11 on the UK list and number 12 on the US list. Its story revolves around the creation of a sanctuary in the wild, specifically a church on the Icelandic coast in the 19th century. Unlike its spiritual counterpart in the upcoming 2023 film, nature is not a source of comfort in this story. Instead, it serves as a reminder of the consequences of human ambition and arrogance, similar to the punishment depicted in the Old Testament. The film also delves into themes of immense fear and admonishment, inspired by Werner Herzog, rather than the cozy and sentimental vibes of John Ford’s western films. Director Hlynur Pálmason does not shy away from addressing his own role in the story, as the protagonist Lucas is a photographer who grapples with the value of art in mediating between man and nature.
Captured with a commanding grandeur in a square 4:3 proportion, evoking early photography, the main source of solace in this film should be its beauty. Originally titled as such, the film was inspired by a set of seven wet-plate photographs discovered in a box, believed to have been taken by a real-life Danish clergyman. From black-sand beaches to rocky ravines, from marshy wetlands to looming volcanic plumes reminiscent of Mordor, it is impossible not to be just as mesmerized by these raw and elemental landscapes as Lucas is. However, as his journey continues, the splendor becomes overwhelming, almost dreamlike, reflecting the animosity of his Icelandic companions and the insignificance of his endeavors. (Portrayed by Elliott Crosset Hove, he joins Eli Sunday from There Will Be Blood in the ranks of pitiful priests.)
In these times of climate turmoil, it is a necessary reminder. The western setting, similar to the tundra-bound Godland, always explores the complex relationship between man and nature. However, Pálmason delves deeper into this dynamic, keeping his perspective open to fully capture the landscape. It is unlikely that man will emerge victorious or make much of an impact here. The supposed story behind the wet-plate photographs? It is a fabrication created by the director. Neither art nor religion, nor any other human creation, can contain the mercilessness of nature, which also governs us. Lucas’s guide, Ragnar, portrayed with intimidation by Ingvar Eggert Sigurðsson, has been molded by the harsh environment, but ultimately seeks solace from the priest. Unfortunately, he is met with refusal.
Pálmason, who was born in Iceland and educated in Denmark for film, explores the connection between the two countries in Godland. The film is set during a time when Iceland was under Danish rule, and there is a hint of revenge similar to Dogme style in the constant teasing of the main character. This teasing does not just come from the other characters, but seems to be orchestrated by a higher power who enjoys playing games with mortals, much like the biblical story of Job. However, the director, or perhaps a god-like figure, still possesses a famously twisted sense of humor, even if they can no longer use nature as a divine tool. While there have been other recent films from Iceland that touch on man’s relationship with nature, such as Rams and Lamb, Godland stands out as a remarkable one.
Source: theguardian.com
