Did you anticipate such a large response when you began working on Past Lives?
There was a feeling that we were accomplishing, or at least striving for, something truly extraordinary. It seemed like a small spark of something sacred that we were all united in honoring. When I first met Celine [Song, the director], we were two young girls plotting together about achieving a seemingly monumental feat: could we create something that was both precious and intimate, but also reach a large audience? As we navigate a world that often gives attention to the loudest voices, I am intrigued by something that goes against that. However, there is always uncertainty about whether our efforts will be successful or if we will connect with our desired audience, which is daunting. But now, I am truly amazed by what has transpired. It keeps me awake at night because I am in awe of it all. It truly feels like a miracle.
Were you surprised by any of the reactions to the film?
I was very afraid to present this film for various reasons. The venue, Eccles Center, where it premiered at last year’s Sundance Film Festival, is huge. Despite our pride, we were worried that the venue may be too grand for our film. As an Asian woman, I was anxious about seeing myself displayed on a 15ft screen – it felt radical and dangerous. I even asked Celine if we could cancel the screening, but she reminded me that it was a crucial part of the filmmaking process. However, the screening will be forever ingrained in my memory. I sat in the audience during the final scene and noticed people becoming restless and reaching for things. I feared that they disliked the movie and wanted to leave. But then, to my amazement, I realized that everyone was actually starting to cry. People were reaching for tissues, and it was an incredibly surreal and emotional experience. Perhaps it was one of the first instances where we thought, “Could this really be happening?” Even now, I still get chills when I reflect on that day.
Do people often tell you any particular stories after viewing the film?
I have found great satisfaction in being able to elicit tears from people immediately. Occasionally, someone will express surprise at seeing me at a coffee shop and tears will begin to form. Younger individuals may confess that they are torn between starting a new relationship and still holding feelings for someone else. I recall an older couple who went for a walk after watching the film and were moved to tears, discussing their lives and renewing their commitment to each other. I believe the impact of the film varies depending on one’s stage in life.
A previous iteration of the movie featured Nora as a 29-year-old, which was the same age as Celine Song when she had the real-life encounter that influenced the film. In your opinion, what impact does portraying the characters at 36 have?
Celine has a unique talent for producing something that many people can easily relate to, as it is simplistic in nature. It revolves around two or three individuals discussing themes of love and their personal experiences. However, I believe that the authenticity and maturity of Nora and Arthur’s marriage adds an important aspect to the story.
Lulu Wang, the director of The Farewell, shared that she faced doubts about the viability of a film centered around a sick grandmother while seeking funding. This made me reflect on Past Lives, which has a milder storyline. In light of the belief that a film must have intense stakes, conflict, and risk to be effective, what does the popularity of Past Lives suggest about audience preferences in cinema today?
I am extremely excited. This is concrete proof that the idea is incorrect. It is a limited perception of what constitutes a marketable piece of art. As an outsider, I am constantly trying to validate my story: “Is it not good enough?” It is being scrutinized by critics trying to prove its worth, which is incredibly frustrating. What is truly amazing about this film, and the way we were isolated and protected, was that it was understood from the start. It was almost a source of pride to be able to say: “There is minimal romance, and no flashy arguments. It’s not that kind of movie.” We hope to surprise and impress people. We want to demonstrate that audiences are not only ready for this, but they actively desire it. I certainly do.
What has it been like for you to witness the growth of Asian American storytelling in Hollywood after two decades in the industry, especially in your first leading role?
I am feeling refreshed and my hope has been restored by the possibilities that currently exist. However, we are far from resolving the issue at hand. Recently, I had the chance to speak with some young individuals who are just starting their careers. Hearing their concerns about tokenism and limited opportunities serves as a clear indication that our community is still far from achieving equity. While I am proud and determined to take up space, I am also aware that this is a new endeavor. It can be challenging to know how to continue creating space for people of color and women of color.
What are your aspirations for the future of the industry?
I am strongly committed to promoting inclusivity. While the concept may seem straightforward and repetitive, it holds a personal significance for me. I am determined to be involved in any initiatives that strive to increase the representation of women, people of color, and diverse individuals. I firmly believe in the power of specific storytelling and its importance in this matter. This approach is not only financially viable, but there is also a demand for it. My goal is to actively contribute to this movement.
What do you envision Nora’s future life to be like?
In my opinion, she is a talented writer who has achieved success in her career. I believe she has the potential to win an Academy Award and may also have a passion for making films. From what I can see, she is content in her marriage. Our intention with Nora was to convey the concept that the most fulfilling love story is the one you have with yourself. That perfectly describes Nora – she simply embraces and enjoys her life.
What is her opinion of Hae Sung?
I believe it is valuable for individuals to form their own conclusions and have their own convictions. However, personally, I must admit that a significant part of me truly believes that they will never reunite. To me, it feels like the conclusion of their story in this lifetime. I believe she will always hold love for him. This is a wonderful aspect of human nature – our ability to love multiple people in distinct ways.
Source: theguardian.com
