After the Covid affected Olympics in Tokyo, Paris 2024 saw the return of packed stadiums, venues and also photographer enclosures. Among the 1,578 accredited photographers were three covering the Games for the Guardian and Observer.
How would I describe photographing the Paris Olympics? Quite simply “c’est magnifique, c’est incroyable.” It was a wonderful Games, an intoxicating blend of incredible action taking place in the most stunning venues. I can forgive the Paris metro for its lack of escalators, which meant lugging all my gear around was a very sweaty task, because everywhere there was cat-nip for the photographer. At times it felt almost too much, you wanted to be everywhere at the same time, pushing yourself to extremes to get the pictures on offer. After the last two disappointing summer Games, this was back to the sort of Olympics the IOC wanted and needed. And how they succeeded, the organisers pulling out all the stops to make sure it was such a visual treat. At the end of it all, despite all the amazing athletes on show doing phenomenal things, the real star of the Games was the city itself.
I hardly ever shoot sport but having covered the London Olympics in 2012 I knew roughly what was in store for me in Paris for the next two and a half weeks – a brutal schedule photographing unfamiliar athletes engaging in sports I know little or nothing about, inside strange, complex venues strewn around a city baking in summer heat. Early starts, late finishes, no days off, endless editing, daily double backups, complex logistics and travel planning. Not to mention the constant battles to get my work published in competition with literally the world’s greatest sports photographers … And yet, in the face of all these struggles and challenges (and as I knew it would be), photographing the 2024 Paris Olympic Games was an utterly exhilarating, emotional and life-affirming experience.
David Bowie once said that, as a creator, “when you can’t feel your feet touching the bottom, then you’re about to do something exciting.” That was how it felt when the Guardian asked if I could cover my first Olympic competition. I’m a portraits and features photographer, so this, for me, was definitely the deep end. I could have panicked, but was reassured by the team, and went on to photograph Team GB’s gold-performance at Versailles, Andy Murray’s swansong at Roland Garros, a first-ever gold medal for Ireland in the gymnastics, plus gravity-defying climbers, divers and breakdancers. I think my most cherished moment was the men’s 10,000m at the Stade de France, hearing the roar from the crowd as they turned into their final lap, and deep down, my own teenage memories of running down that finishing straight. Covering the Olympics was a marathon, and I’m proud to have run alongside so many other talented photographers.
Source: theguardian.com