On Friday, it was announced that Britain will be returning certain artefacts that were taken from Ghana, although the process may not be straightforward.

Estimated read time 12 min read

Good morning.

Two prominent museums in the United Kingdom are giving back a portion of Ghana’s valuable treasures, which were taken by British soldiers over 150 years ago in a violent manner.

The objects, considered to be integral to Ghana’s cultural identity, are being borrowed instead of returned due to a British law that prohibits national museums from removing items from their collections.

Experts are optimistic that the temporary loan of 32 Asante gold artifacts by the British Museum and the Victoria and Albert Museum will ignite discussions on the rightful repatriation of culturally and religiously significant objects to their countries of origin.

The agreement between Asante and gold, which was made following a meeting between current Asante king Otumfuo Osei Tutu II and King Charles, will be closely monitored by Athens, who desires the return of the Parthenon marbles, and Nigeria, who has been advocating for the return of the Benin bronzes.

Professor Dan Hicks, who teaches contemporary archaeology at Oxford University, expressed his approval of the agreement regarding the Asante gold. He believes it is a positive step towards returning significant artifacts to their rightful owners. However, he cautions that the process may be lengthy and complicated. Additional insights from Professor Hicks will be shared following the news updates.

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In detail: ‘Their efforts to return the items are being made while adhering to legal boundaries’

The Africa collection at the British Museum in London, Britain, 25 January 2024.

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“They are more than just mere objects,” stated Nana Oforiatta Ayim, a special advisor to Ghana’s Minister of Culture, when discussing the artefacts. These include a sword of state and gold badges known as Akrafokonmu, worn by officials responsible for purifying the king’s soul. “They hold spiritual significance and are an integral part of our nation’s essence. It is a homecoming of fragments of our identity.”

According to Ayim, lending these items to Ghana is a positive step towards healing and honoring the victims of past violence. The items will be exhibited at the Manhyia Palace Museum in Kumasi, the capital of the Asante region, in April 2024 as part of Osei Tutu II’s 25th anniversary celebrations.


Why not consider taking out a loan?

The objects – 15 from the British Museum and 17 from the V&A – will be exhibited at Manhyia Palace for a period of three years (with the possibility of extending for an additional three years). This is due to the legal restrictions of the British Museum Act 1963 and the National Heritage Act 1983, which prohibit the trustees of prominent UK museums from permanently returning disputed artifacts from their collections.

Hicks states that the museum community is pleased to see progress in the return of these items. However, this does not necessarily indicate that loans will be the solution in all cases, such as with the Parthenon marbles and Benin bronzes. Instead, permanently and unconditionally returning stolen goods may be the preferred approach.

The agreement has sparked discontent among numerous individuals in Ghana, who are expressing their grievances on social media and local radio. Many feel that the deal is comparable to a thief borrowing back stolen possessions.

“A thief breaks into your house and steals your valuable possessions. After tracking down the thief, they reluctantly agree to ‘loan’ them back to you. Sounds absurd, right?” Lorraine King, a host on Colourful Radio in the UK, shared on X (formerly known as Twitter). “Well, the UK plans to loan Ghana the crown jewels that were taken from them 150 years ago.”

Ayim recognizes that individuals are upset about the concept of a loan, but expressed optimism that it could be the initial stage in a process that would result in their eventual repatriation. “We are aware that these objects were taken under violent circumstances, and we acknowledge that they rightfully belong to the Asante people.”


Can the name of the museum be interpreted as “British” or “Brutish”?

According to Hicks, the arrangement implies that the British Museum and the V&A are making every effort to return the items while still adhering to legal regulations.

The UK is not following the example of other nations in returning artifacts that were taken by colonial powers. France and Germany have formed a partnership to examine the process of returning items from their national museums, and the Smithsonian Museum in Washington has recently returned 29 Benin bronzes to Nigeria.

Although national museums are unable to return artefacts, private UK museums, such as those of the University of Cambridge, have returned Benin bronzes.

Hicks, who recently published The Brutish Museums: The Benin bronzes, Colonial Violence and Cultural Restitution, says the government’s refusal to change the law to allow national museums to return looted artefacts is out of step with the views of most of the UK public and the directors of the museums. (The Labour party has not expressed interest in changing the law, but Keir Starmer has indicated that he would support loaning the Parthenon marbles to Athens.)

According to Hicks, certain government officials may see this loan agreement as a temporary solution to resolve the current debate. However, I believe it will actually bring more attention to the issue and prompt the public to question what is morally just.

“When can we expect the law to be revised and the significant items to be rightfully returned to their owners?”

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